Genre: Science Fiction
Running Length: 1:59
Cast: Johnny Depp, Rebecca Hall, Paul Bettany, Cillian Murphy, Morgan Freeman, Kate Mara, Cole Hauser
Director: Wally Pfister
When I first saw the trailer to TRANSCENDENCE, I was intrigued; sentience intelligence, top-notch cast and produced by Christopher Nolan. It sets up the premise of an intelligent-cinematic-character driven movie but it turned out to be an unsatisfying experience. To be fair, the screenplay explores big thought provoking ideas but it remained a potential as it suffers from poor execution. Instead of focusing on one thing, it tries to cover many grounds in the artificial intelligence folder (Spike Jonze's Her, which asks some of the same questions was more focused and eloquently told). Although Johnny Depp's muted performance here is a pleasant change after a recent series of over-the-top roles, I just felt he wasn't totally invested in his character as an AI genius. And there's no chemistry between Johnny Depp and Rebecca Hall where their characters' romantic tragedy is absolutely critical to making the narrative come alive. It just didn't move me at all. But from a technical standpoint, I must say the decision to tell a story about digital intelligence using film (it was shot on film vs digital) is an interesting choice. It looks great with lush and rich images. The soundtrack is also above average.
Rating: 5.5/10
Wednesday, April 30, 2014
Saturday, April 26, 2014
THE WIND RISES (2014)
Genre: Animated
Running Length: 2:06
Cast: (voices) Hideaki Anno, Miori Takimoto, Hidetoshi Nishijima, Masahiko Nishimura, Steve Alpert, Morio Kazama, Keiko Takeshita, Mirai Shida, Jun Kunimura, Shinobu Otake, Nomura Mansai
Director: Hayao Miyazaki
Hayao Miyazaki's THE WIND RISES is an ambitious historical drama attempting to cover many grounds; moral implications, romance, sacrifice, ambition, autobiography, legacy and the value of imagination. It tells of a fictionalised account of the life and times of Jiro Horikoshi, the designer and engineer of Japan’s Zero plane. (The Zero fighter plane, which put Japan on the map in World War II, was a long-range aircraft with a high degree of maneuverability) Unfortunately, the movie's bloat prevents it from taking off and soaring into the sky. Granted that this is a down-to-earth serious story ie. no parents being turned into pigs, no moving castles and no fish-girls turned into humans, but it's just too slow moving. The first two thirds of the film drags and haphazardly stumbles between what's real and the many dream sequences as Jiro goes through various breakthroughs in construction and design. Thankfully, there was a lift in the final act where the audience will witness one of the most moving and beautiful love story ever
Rating: 4/10
Sunday, April 13, 2014
THE GRAND BUDAPEST HOTEL (2014)
Genre: Comedy/Adventure
Running Length: 1:39
Cast: Ralph Fiennes, Tony Revolori, Adrien Brody, Willem Dafoe, Edward Norton, Jeff Goldblum, Saoirse Ronan, F. Murray Abraham
Director: Wes Anderson
If only Stephen Chow continued the trajectory of making his brand of "nonsensical" movies, he would have created something like THE GRAND BUDAPEST HOTEL as he matures in his profession; a much richer and denser experience but still possesses all his trademarks - a relatively easy to follow storyline set in a surreal world littered with exaggerated characters caught in quirky situations (and blood bleeding from their nose). But I digressed. Wes Anderson's Budapest Hotel is an engaging 90+ minutes of unconventional adventure and idiosyncratic humour all framed up in
Rating: 8.5/10
Monday, April 7, 2014
CAPTAIN AMERICA: THE WINTER SOLDEIR (2014)
Genre: Action/Adventure
Running Length: 2:17
Cast: Chris Evans, Scarlett Johansson, Samuel L. Jackson, Anthony Mackie, Robert Redford, Sebastian Stan, Cobie Smulders, Frank Grillo
Director: Anthony Russo, Joe Russo
CAPTAIN AMERICA: THE WINTER SOLDIER is one solid piece of entertainment. It easily surpasses the original in every department. I never really grew up with Marvel superhero comics but the comic book elements are all here; side-kicks, no important characters actually die because they will come back again, intertwining stories and characters within the Marvel universe etc. However, it doesn't feel childish at all because CA:TWS has a certain realism to the narrative (and it's a strong standalone movie as it doesn't feel obligated to lead to the next Avengers extravaganza). Two thirds of the movie is reminiscent of a Cold War-era espionage thriller; a suspicious government, double agents, spy games, corrupt bureaucrats and Robert Redford. This film also works because it takes the time to develop its characters and their relationships. As a result, I’m now more invested in the Captain’s world. Despite his extraordinary powers, he is a sympathetic character, stuck in the past while struggling to adapt to the present. He is indeed the moral compass of the Avengers. Chris Evans is no Robert Downey Jr but he is definitely more than a choir boy, giving Cap's character depth and humanity. The final one third of the movie is the expected special effects-laden (yawn) big battle scene but what made it different is Cap's side-kick Falcon's thrilling aerial acrobatics. And The Winter Soldier is one striking killing machine. Another thing noteworthy is that the filmmakers isn't afraid to shake up the status quo as one wonders how the proceedings in this film will affect SHIELD the TV series.
(End credits watchers take note. There are two scenes; one occurs mid-way and another after the end credits have completed)
Rating: 7/10