Thursday, May 30, 2019

GODZILLA: KING OF THE MONSTERS



Release Date: Malaysia, 30 May 2019
Genre: Adventure
Running Length: 2:11
Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe, Zhang Ziyi, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr.
Director: Michael Dougherty 
Screenplay: Michael Dougherty & Zach Shields 

GODZILLA: KING OF THE MONSTERS is a direct sequel to Gareth Edwards’ 2014 Godzilla. One of the major complaints from the fans back then was that it featured "too little Godzilla" and "not enough kaiju smackdown". That movie had a more dramatic approach as it centred around its characters. 

I guess the filmmakers took those feedback and boy, did they double-double down on the monsters. You gotta see it on the big screen to fully appreciate the spectacle and the visually stunning kaiju smackdown! There was a scene in the movie where I literally exclaimed, "YEAAAH!!!" when one of the monsters literally "power up" by chomping on some power grid.

It was like watching a WWE match.

"I've seen stranger things"

However on the flip side, when it came to its characters, boy oh boy, I really don't know what were the filmmakers thinking. I have no idea what's the purpose of the human beings in this movie except to give exposition. Everytime when the characters appear on the screen (usually in-between the monsters fight sequences), they are there telling each other stories on the legend of the gods (the kaiju). Mind you, whoever is explaining this usually has images magically ready on their monitors to help the other people in the room to visualize better what he/she is talking about. Yes, like a powerpoint presentation.

And the dialogue is JUST TERRIBLE. Who talks like this! And I really pity the actors involved in this movie as they are capable artist but unfortunately, they were dealt with a poor script. So when some of these characters die, I just couldn't care less.

And don't get me started with the baffling decisions these characters make throughout the movie! All in all, the plot is supposed to be simple but it turned out to be so convoluted. When I checked on IMDB who is this "Michael Dougherty" director, I was surprised to find out that he is primarily known for being a screenwriter. But yet, he could churn out such a garbage script! Makes me wanna scream!

"Hehe. That tickles!"

If there is one movie which did an excellent job in balancing the monsters and the human beings, it's the original Jurassic Park

That being said, if you're into seeing cities being torn apart and flattened as these god-sized monsters collide with one another (accompanied with a dramatic soundtrack) , you won't leave disappointed.

RATING: 6/10

Friday, May 17, 2019

JOHN WICK: CHAPTER 3 - PARABELLUM


Release Date: Malaysia, 16 May 2019
Genre: Action / Thriller
Running Length: 2:10
Cast: Keanu Reeves, Ian McShane, Laurence Fishburne, Mark Dacascos, Halle Berry, Asia Kate Dillon, Lance Reddick, Angelica Huston
Director: Chad Stahelski
Screenplay: Derek Kolstad and Shay Hatten and Chris Collins & Marc Abrams


These events in JOHN WICK: CHAPTER 3 picks up exactly where Chapter 2 left off: 

Excommunicado.
Tick tock tick tock.
$14 Million bounty.
Stylized neon nightscape.
Book fight.
Knife fight.
Fight on a running horse.
The Director.
The Adjudicator.
Casablanca.
"He finds you."
Woah, Halle Berry! You go girl!
Two awesome Belgian Shepherds!
Rules and consequences.
Desert.
Ouch! 4 Fingers.
High Table.
Motorcycle fight.
"I'm a fan!" (Woah, that was totally left field)
Deconsecrated.
"Gun, lots of guns."
Fight in a hotel.
Mirrors.
Hand to hand combat.
"If you want peace, prepare for war" ie. Parabellum.
Back alley.
"Because I am...pissed!"
"Yeah!"

RATING: 3/10

Sunday, May 5, 2019

LONG SHOT


Release Date: Malaysia, 02 May 2019
Genre: Romance / Comedy
Running Length: 2:05
Cast: Charlize Theron, Seth Rogen, June Diane Raphael, O’Shea Jackson Jr., Ravi Patel, Bob Odenkirk, Andy Serkis, Alexander SkarsgĂ„rd
Director: Jonathan Levine
Screenplay: Liza Hannah, Dan Sterling

I hardly watch a romantic comedy but if I do, I hope to walk out of the cinema hall feeling entertained; the fuzzy-feel-good kinda feeling.  It's like reading a fantasy book. You are fully aware the stuff in there will not happen but yet you just want to pause reality for a second and root that our couple will overcome all odds and will eventually walk away into the sunset hand-in-hand.

LONG SHOT tells the tale of Fred Flarsky (Seth Rogen), an angry left-wing journalist and Charlotte Field (Charlize Theron), the Secretary of State preparing to run for President of the United States. Of course, they crossed path and things become complicated. 

"Give me a LIKE if you think Charlize Theron is a goddess"

Structurally, Long Shot follows the rom-com formula closely. Perhaps that is where I found it predictable. I know I'm contradicting myself.

What I was looking for was the formulaic romantic pairings but with just a good amount of risk thrown in. I was not expecting a grounded drama but just a little update to that formula. But alas, this is not that movie. 

What I do like in this film is the pop culture references. Some of these are clever. Actors, actresses, singers and even politicians are being referenced directly and indirectly resulting to some genuine giggles; Woody Harrelson, George Clooney, Jennifer Aniston, Jeremy Piven, Chris Brown and even the Prime Minister of Canada is not spared. And the choice of retro pop music used sparingly throughout the movie was a nice touch.

"Hey guys, did you know I starred in this 2008 film 'Zack and Miri Make a Porno'?"

If the filmmakers were to stick to such sharp dialogue instead of relying on visual gags which involves bodily fluids and getting high, I would have enjoyed this movie more. Some of the choices that Theron's Secretary of State does just to land some laughs from the audience, are out-of-character.

Thankfully, the chemistry between Rogen + Theron is believable here; just like what the movie poster says, "unlikely but not impossible".  However, it would have worked better for me if the filmmakers were to explore deeper the theme of being authentic (but yet open to change) as part of the resolution instead of trying too hard to be politically correct. 

RATING: 6.5/10