Showing posts with label Bradley Whitford. Show all posts
Showing posts with label Bradley Whitford. Show all posts

Thursday, May 30, 2019

GODZILLA: KING OF THE MONSTERS



Release Date: Malaysia, 30 May 2019
Genre: Adventure
Running Length: 2:11
Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe, Zhang Ziyi, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr.
Director: Michael Dougherty 
Screenplay: Michael Dougherty & Zach Shields 

GODZILLA: KING OF THE MONSTERS is a direct sequel to Gareth Edwards’ 2014 Godzilla. One of the major complaints from the fans back then was that it featured "too little Godzilla" and "not enough kaiju smackdown". That movie had a more dramatic approach as it centred around its characters. 

I guess the filmmakers took those feedback and boy, did they double-double down on the monsters. You gotta see it on the big screen to fully appreciate the spectacle and the visually stunning kaiju smackdown! There was a scene in the movie where I literally exclaimed, "YEAAAH!!!" when one of the monsters literally "power up" by chomping on some power grid.

It was like watching a WWE match.

"I've seen stranger things"

However on the flip side, when it came to its characters, boy oh boy, I really don't know what were the filmmakers thinking. I have no idea what's the purpose of the human beings in this movie except to give exposition. Everytime when the characters appear on the screen (usually in-between the monsters fight sequences), they are there telling each other stories on the legend of the gods (the kaiju). Mind you, whoever is explaining this usually has images magically ready on their monitors to help the other people in the room to visualize better what he/she is talking about. Yes, like a powerpoint presentation.

And the dialogue is JUST TERRIBLE. Who talks like this! And I really pity the actors involved in this movie as they are capable artist but unfortunately, they were dealt with a poor script. So when some of these characters die, I just couldn't care less.

And don't get me started with the baffling decisions these characters make throughout the movie! All in all, the plot is supposed to be simple but it turned out to be so convoluted. When I checked on IMDB who is this "Michael Dougherty" director, I was surprised to find out that he is primarily known for being a screenwriter. But yet, he could churn out such a garbage script! Makes me wanna scream!

"Hehe. That tickles!"

If there is one movie which did an excellent job in balancing the monsters and the human beings, it's the original Jurassic Park

That being said, if you're into seeing cities being torn apart and flattened as these god-sized monsters collide with one another (accompanied with a dramatic soundtrack) , you won't leave disappointed.

RATING: 6/10

Sunday, April 23, 2017

GET OUT (2017)


Genre: Horror / Thriller
Running Length: 1:43
Cast: Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, Caleb Landry Jones, LilRel Howery
Director: Jordan Peele
Screenplay: Jordan Peele

Those expecting Jordan Peele's directorial debut to be a full blown Key & Peele goofy comedy will be sorely disappointed because GET OUT is one hell of a creepy movie. Yes, thankfully there are some comedic elements to balance out the scares.

Get Out is more a thriller than a horror which shares the same tonality as Scream and the strangeness of The Stepford Wives. Peele borrows elements from various horror classics but yet he's able to deliver a satisfying outcome without coming across as a copycat.


This movie tells the tale of a black man (Kaluuya, who is very good at playing sympathetic characters as seen in Sicario and that one episode in Black Mirror) who visits his white girlfriend’s (Williams) parents in the deep country for the first time. Of course, he senses something is off - something sinister - with her parents and their black helpers.

What's exceptional about this movie is how clever the filmmakers blend a social commentary within a horror genre. As a result, the insights of the post-racial America showcased here is authentic and sharp. But thankfully Peele doesn't venture too deeply into racism but instead uses the black/white phobia to mess with the audience's mind at the start, right to the crowd-pleasing gory finale.

Get Out is tight and funnier than expected. And it's one of those films that will make you go, "Oh! That's why she did that!" way after you have left the cinema hall. It just gets better the more you think about it. It's still too early in the year but this movie is a strong contender to emerge in my top 10 of 2017 because it's one of those rare movies that would appeal to both horror fans and those who avoid this genre.

RATING: 8.5/10