ONE TWO JAGA (Malaysia, 06 Sep 2018)

Genre: Drama / Thriller

Running Length: 1:20

Cast: Zahiril Adzim, Rosdeen Suboh, Ario Bayu, Asmara Abigail, Timothy Castillo, Iedil Putra, Azman Hassan, Amerul Affendi

Director: Nam Ron

Screenplay: Ayam Fared, Pitt Hanif, Nam Ron

What's this movie about? 

ONE TWO JAGA, an indie film produced by Bront Palarae and directed by Nam Ron, is an important local release post GE-14.  It's the first film in Malaysia that PDRM (Royal Malaysia Police) has approved which depicts the corruption within the Malaysia's police force.

The title of the movie is taken from the chant of the children game, "Police and Thief". For those old enough to remember, it goes something like, "Police and thief one two jaga. Police mati, pencuri jaga!" 

The plot of this crime drama threads on grey morality; that thin line between the good and the bad, as it deals with police corruption and illegal immigrants.

Highlights!

• Finally a local movie which doesn't preach at you. I like how corruption is depicted here - it is what it is as a way of life as characterized by the partnership of Hassan, a senior cop and Hussein, a rookie. Also the similar approach is used effectively to chronicle the story of Sugiman-Sumiati, a brother and sister from Indonesia who works as foreign workers in Malaysia.  
• Good performances from the main and supporting cast especially from Zahiril Adzim who plays the rookie cop, Ario Bayu the hardworking foreign labourer and Amerul Affendi a loose canon with a heart. (Interestingly, Zahiril, Amerul and Iedil Putra have acted together in Pekak, a 2016 local production which I enjoyed)

Lowlights

• Pacing issue. I have no problems with slow burn thrillers but the uneven pacing somehow made the film draggy and boring during some parts. 
• Too many characters. Perhaps the problem with the pacing has got to do with an unnecessary story dedicated to a cash-strapped Filipino immigrant (Castillo). The filmmakers could have omitted that whole story line altogether and focused on the stories of Hassan-Hussein and Sugiman-Sumiati. 
• Bleeped out dialogues and blurred out images. If only the censorship board allowed these parts to pass through, it could have showcased a more realistic day-to-day life of our characters. 

In summary
ONE TWO JAGA is a mashup of Denzel Washington's Training Day and the current foreign labourers situation in Malaysia. 

Despite an unnecessary side plot and the uneven pacing, the third act redeems itself. Not as explosive as Denzel's "King Kong ain't got sh*t on me!" conclusion in Training Day but it's memorable nevertheless.    

The intertitle ending reminded me of the alternate Infernal Affairs cut which markets like us and China got. Personally, it's not the ending I wanted. That said, this movie is definitely an important stepping stone for more gritty and realistic Malaysian cinema to come. 

RATING: 7.5/10

PEKAK (2016)

Genre: Drama
Running Length: 1:36
Cast: Zahiril Adzim, Sharifah Amani, Amerul Affendi, Iedil Putra, Sharifah Sakinah, Joe Flizzow
Director: Mohd Khairul Azri
Screenplay: Mohd Khairul Azri, based on an original story by Azril Hamzah and Alfie Palermo

The arresting starting frame of PEKAK, the directorial debut of Khairul Azri, virtually stopped me in my tracks. Every shot thereafter is beautifully shot and the set up is just downright compelling. I was thinking to myself, "Wow, this is actually a very good movie!" But a strange thing happened somewhere at the halfway mark; it took an obvious nosedive into a telemovie territory.

I'm not sure what happened after such a promising first half. It's as though the filmmakers ran out of budget because it felt like two movies directed by two different directors written by two different screenwriters. That said, let's talk about the better half first.

The movie starts off by introducing us to Uda, our protagonist (played convincingly by Adzim), a deaf drug pusher who is forced to sell drugs to save enough cash for a surgery to restore his hearing. In the process of his daily job, he crosses path with Amani's character, Dara, a school girl who comes from a broken family. Predictably, a romantic relationship forms and what ensues is a Shakespearean tragedy-like tale.

Everything about the movie (well, at least the first half) is beautiful and it is has a somewhat poetic rhythm to it. The score is hypnotic. It is peppered with symbolism eg. Uda temporarily mends Dara's torn dress using a name tag with her name on it. And the build up is good where there is a genuine sense of dread and danger for our star-crossed lovers.

The casting choices are fitting as the audience could immediately relate to the characters. Very believable acting from the cast especially our supporting actors;  Affendi and Sakina. There are some risque scenes shown which are pretty bold for a local production.

Clearly, the folks behind Pekak understands filmmaking. So that's why it is really puzzling for me what happened to the second half of the film, where even the climatic resolution curiously turned into a Game of Thrones like sequence.  

In conclusion, this indie film is no Jagat but it comes pretty close.

Rating: 7/10