FORD V FERRARI

Release Date: Malaysia, 14 Nov 2019

Genre: Drama

Running Length: 2:32

Cast: Matt Damon, Christian Bale, Jon Bernthal, Caitriona Balfe, Tracy Letts, Josh Lucas, Noah Jupe

Director: James Mangold

Screenplay: Jez Butterworth & John-Henry Butterworth and Jason Keller

Do not be put off by the average looking trailer. When I first saw it, it looked uninteresting. But thanks to some positive reviews and buzz worthy word-of-mouth, I'm glad I checked it out. FORD V FERRARI is anything but boring!

This movie is probably the most entertaining feel-good movie of the year for me. And this is coming from someone who has zero interest in cars. Why I really enjoyed this film:

• It has all the beats of a good sports movie; the underdog, the washed up coach, the training montage, the competition, the tension, the victory. 
• Excellent chemistry between movie stars Damon and Bale. It's their "bromance" that makes this movie rise up above the other movies from the same genre. (Side note: This seems to be the year where star-driven movies are making a comeback vs superhero action genre. Case in point; Once Upon A Time in Hollywood)
• The races are beautifully shot. It's not confusing and you can easily make out who's leading the track and who's lacking behind. The race scenes feel real and dangerous, with death a high possibility. Apparently, no CGI was used for the racing scenes. The energetic and pulsating score also added to the intensity of these "action" pieces. 
• The father (Bale) and son (Jupe) relationship here is touching.
• The filmmakers take on who's the true villain (and it's not Ferrari).  

Overall, Ford v Ferrari isn’t necessarily a ground breaking movie, but it’s a solid entertaining blockbuster driven by human drama.

RATING: 9/10

BABY DRIVER (2017)

Genre: Action / Thriller
Running Length: 1:53
Cast: Ansel Elgort, Jamie Foxx, Jon Hamm, Lily James, Kevin Spacey, Eiza Gonzalez, CJ Jones, Jon Bernthal
Director: Edgar Wright
Screenplay: Edgar Wright

Life lesson: Not everyone appears the way they seem. So don't be too quick to judge and be kind to everyone you meet, for they could be fighting their inner demons you know nothing about.

From a narrative standpoint, BABY DRIVER doesn't really break any new ground. The story is about Baby (Elgort), a getaway driver who works for a criminal mastermind (Spacey). After finishing his "one last job", Baby retires to spend time with his new found love (Lily James). As predicted, nobody really gets to leave the world of violent crime.

Sounds familiar but yet, writer director Edgar Wright manages to create a very visual and fresh viewing experience. And it's all gotta do with the directing, the magic of editing and the SONGS! Almost the entire movie was cut in time to the songs employed. It was edited in such a way to have us hear Baby's personal soundtrack as he goes through his day-to-day.

His choice of songs not only informs us of his mood but we get to also know his character better with every song played. Such a concept reminds me of Guardians of the Galaxy but Wright's technique is much more refined here. As a result, this movie feels like a pseudo-musical especially its first half. What more with some scenes where bright colours are exploited.

Eventhough such an approach hint a world of fantasy, this movie is actually pretty grounded especially the second half where things take a dark turn. The car chase scenes generated real suspense (vs the Fast and Furious kind which are...kinda boring) and I felt nervous when a character is about to shoot another person (vs the John Wick kind which is also...kinda boring). Perhaps the latter movies remind us of video games where we are desensitized by its CGI violence. People do get hurt in this movie, sometimes in shocking ways.

That said, some characters are not really well written particularly the female characters. They felt one-dimensional. The same can't be said for their male counterparts as they have much more layers in their characters. I didn't really enjoy Ansel Elgort's smarty pants performance in The Fault In Our Stars but in this film, he is perfectly cast and is charismatic as hell. And Jamie Foxx! He is so intense here as the live wire and walking time-bomb of the group, I was genuinely terrified whenever he appears on screen.

Not the best movie of the year but definitely the most fun.

RATING: 8.5/10  

THE ACCOUNTANT (2016)

Genre: Thriller / Action
Running Length: 2:08
Cast:  Ben Affleck, Anna Kendrick, Jon Bernthal, J.K. Simmons, John Lithgow, Cynthia Addai-Robinson
Director: Gavin O’Connor
Screenplay: Bill Dubuque

THE ACCOUNTANT is one of those movies which I went, "Now that's interesting; a mashup of autism and action thriller" but the more I think about it, the more its unique narrative diminishes. To be fair, it's still an entertaining movie and it's not as intense and serious like what is shown in the trailer. It's actually quite funny at times.

Ben Affleck is fine here and is still in full post-Batman shape as his "accountant" character is indifferent, fights for injustice and possesses a deadly set of combat abilities. His character is trained in the martial art of Silat, a pro in a variety of firearms and he usually goes for headshots. And of course, he's a genius in numbers and puzzles.

The plot is pretty straight forward; our hero is a forensic accountant with autism who earns big-bucks for cooking/uncooking the books for the world's shady characters. He tries to lay low by taking on a seemingly simple contractual job at a robotics firm but is soon caught in the cross-hairs of some assassins.

The movie employs flashback to different times of Affleck's character in the past to give him more depth and motivations to who he is presently. It's definitely an interesting structural approach but what annoyed me are the unnecessary multiple twists at the end and its poorly integrated subplots involving its supporting characters. Yes, it is as confusing as it sounds for a fairly simple plot.

Rating: 6.5/10

SICARIO (2015)

Genre: Action/Drama
Running Length: 2:01
Cast: Emily Blunt, Josh Brolin, Benicio Del Toro, Daniel Kaluuya, Jon Bernthal, Victor Garber
Director: Denis Villeneuve
Screenplay: Taylor Sheridan

SICARIO is an intense take on the drug cartel. It is gripping and tension-filled. The violence is shockingly realistic but not gratuitous. (In Spanish, "sicario" means "hitman")

This movie tells a story of an idealistic by-the-book FBI agent (Blunt) who is recruited by a shady government operative led by an equally shadowy character (Brolin). Their ambitious mission is to take down a drug lord in Mexico. Blunt's character is brought into the plan for reasons she's unclear of. The audience is kept in the dark too as the plot slowly unveils its grand plan leading to a violent and brutal conclusion.

From a technical standpoint, I'm always intrigued with movies which are able to drum up an atmosphere of dread from get go. In this case, it's because of the perfect synergy of Villeneuve's impeccable direction, tight editing, superb cinematography and the bass-heavy score. There is an action sequence 1/3 into the movie which was so intense the guy sitting next to me in the cinema hall pulled his legs towards his chest.

In terms of performance, as good as Blunt is, the show belongs to Del Toro. He crushes it as a middle-aged merciless gunman. He steals every scene he's in. The rest of the supporting cast is equally solid. 

Although it has the thrills of an action flick, the heart of this film is actually a drama which takes place in a world of grey, where our protagonist is faced with difficult decisions which would compromise her moral values. I was hoping it would focus more on the latter like what Villeneuve's did in his last film Prisoners, but somehow the end results didn't give me a satisfying emotional punch in the gut. Nevertheless, Sicario stands apart as one of the best action drama movies I've seen.

Rating: 8.5/10