THE LION KING (2019)

Release Date: Malaysia, 17 June 2019

Genre: Animation / Adventure

Running Length: 1:58

Cast (Voices): Donald Glover, Chiwetel Ejiofor, Beyoncé, James Earl Jones, Seth Rogen, Billy Eichner, John Oliver, Alfre Woodard

Director:  Jon Favreau

Screenplay: Jeff Nathanson, based on a story by Brenda Chapman

Disclaimer: This review is based on these facts: (i) I've watched the original 1994 classic and (ii) I am not in favour of Disney re-doing its classics into live-action. If you've not seen the original, perhaps you would have a different experience altogether.

So, I decided to catch it anyway hoping that it would bring a new freshness. And here's the verdict:

I totally disliked it. 

Before I tear this movie apart, let's start off with the positive aspects of the movie. The one thing that really stood out for me is the triumphant "animation". The movie's photorealistic jungles and animals of Africa can be easily mistaken with an episode of National Geographic or Planet Earth. In the opening act where we are introduced to little Simba, I literally exclaimed out loud "Eeee..SO CUTE!!!" Yes, it's that believable. The technical achievement here is ground breaking.

And that's about it of what I like about the movie. Now let's get to the dislikes.

Eventhough it's visually realistic and stunning, there are drawbacks. You see, I can accept it when the animals are singing and acting all human-like in the hand-drawn original but in a state of "reality" like this 2019 version, there is a disconnect when perfectly rendered animals start speaking and singing. I just find this very difficult to accept. As a result, it was distracting to me. 

And speaking of speaking, there is something off with the voice talents here and I can't put my finger on what's wrong. James Earl Jones is back as the booming voice of Simba's I'm your father; Mufasa. But somehow, the majesty and glory of Mufasa is missing when he speaks in this version. The only voice talent that matches to the 'T' is Seth Rogen as the warthog Pumbaa. He was born to play Pumbaa. 

As for the scenes, it's a shot-for-shot recreation of the original. WHY?!! Yes, I get it that some scenes are sacred and shouldn't be altered such as the signature opening "Circle of Life" sequence and one of the most disturbing and saddest scene ever committed to the history of Disney animation (it still is in this version), but they could have at least changed up some scenes to inject some freshness to it.

As for the classic score and songs, they did update it but this 2019 version is simply terrible. The only memorable ones are when Pumbaa and Timon sing "The Lion Sleeps Tonight" and a laugh-inducing song referencing another Disney classic

All in all, I was bored throughout this 2019 Lion King. This is an obvious cash-grab from Disney. Unfortunately, audiences will still flock to the cinemas (it debuted and ruled at the North America Box Office at USD 185 million!) and will fill Disney's coffers to overflowing. This only means one thing: more classics being converted to live-action. You know what they say - new generation, new money. 

RATING: 5/10

SPIDER-MAN: FAR FROM HOME

Release Date: Malaysia, 03 July 2019

Genre: Action / Adventure

Running Length: 2:09

Cast: Tom Holland, Jake Gyllenhaal, Zendaya, Jacob Batalon, Angourie Rice, Tony Revolori, Samuel L. Jackson, Jon Favreau, Marisa Tomei, Cobie Smulders

Director: Jon Watts 

Screenplay: Chris McKenna & Erik Sommers 

The first half of SPIDER-MAN: FAR FROM HOME felt more like an epilogue to Avengers: Endgame while the second half; the sequel to Spider-man: Homecoming.  The beginning of this film addresses the events of Thanos' The Snap and Endgame, especially the mourning of Tony Stark/Iron Man's death (sorry, spoilers for those who are yet to watch Endgame). 

This is your standard entertaining lighthearted MCU movie which is very much a welcome after the heavy and emotional Endgame.  There are some funny moments and very decent action sequences - pretty much MCU textbook stuff. 

To me, the overall tone and manner is very much similar to Homecoming. It's the typical high-school coming-of-age movie with superhero elements. Not really a bad thing for me but it's just not my favourite genre.   

Thankfully they didn't go overboard with the Peter Parker/MJ romance as it balances out very nicely with Peter's constant struggle of living up to his calling "with great power comes great responsibility" vs. being your regular teenager. 

Tom Holland is becoming more comfortable and believable as the nice guy neighbourhood superhero but the standout here is Zendaya. Her version of MJ is kinda edge and yet, has hints of vulnerability. It's very current and it works. 

You can see Jake Gyllenhaal is having fun doing this movie. This is not your dark and serious Jake as seen in Prisoners or Nightcrawler. 

It's also refreshing to have a change of environment here since the majority of the movie takes place in Europe (Venice, Praque, London) instead of the usual swinging from building to building in New York. 

If anything, the villain here is not as memorable as Michael Keaton's Vulture in the first movie. There are no memorable "highly tensed conversation in the car scene".

Do stay back for two post credit scenes. The mid-credit scene is the more interesting one as it opens up a whole new possibility for Spidey in the third installment while the after credit scene is perhaps an introduction to MCU Phase 4.  

RATING: 7.5/10

SPIDER-MAN: HOMECOMING (2017)

Genre: Action / Adventure
Running Length: 2:13
Cast: Tom Holland, Michael Keaton, Robert Downey Jr., Laura Harrier, Jacob Batalon, Bokeem Woodbine, Zendaya, Jon Favreau, Marisa Tomei, Donald Glover
Director: Jon Watts
Screenplay: Jonathan Goldstein & John Francis Daley and Jon Watts & Christopher Ford and Chris McKenna & Erik Sommers

Tom Holland's Spider-Man in SPIDER-MAN: HOMECOMING is the most relatable Spider-Man to me. When I was growing up, I read the comic strip off The Star newspapers and I would have a very specific voice for Spidey in my head whenever he talks or even thinks. Somehow, Holland's version of Spidey matches this voice to the T. This IS the Spider-Man that I grew up with.

There are just a lot of nice tiny details of Holland's performance which made his portrayal of our beloved superhero believable (and I really like what they did to the eyes on his suit whenever he emotes). And speaking of tiny, there are just a chock full of easter eggs in this latest iteration which will definitely please fans.

I think what the filmmakers did right this time (after the disastrous Andrew Garfield's reboot) was that they didn't set out to make another superhero movie but a genre movie. Just like Logan, that movie was more of a quiet Western flick than your typical giant beam from the sky kind of superhero movie. As for Spider-Man: Homecoming, it felt like more of a high-school coming-of-age kinda movie. In fact, the filmmakers here inserted a tribute clip to Ferris Bueller's Day Off. 

Overall, I was OK with the movie's light and fun tone with the occasional emotional moments; like when an eager-to-prove-himself Peter Parker was confronted by his "mentor" Tony Stark. But the final 1/3 of the film took a turn into "this shit just got real" territory and that saved the movie for me.

The surprising reveal really upped the risk for Peter Parker as he now has a personal connection to the villain (played brilliantly by the ever dependable Michael Keaton), which then led to the highly tensed conversation in the car. That scene is arguably the most memorable scene for me. The other memorable scene is when Spidey got really vulnerable when he was trapped under some really heavy concrete slabs.

That said, there are some things in this film which didn't work for me like Parker's irritating best friend and the hot Aunt May. And after 6 films, they still couldn't get Spider-Man's swinging right; he still looks very CGI to me when he swings from building to building. That said, Spider-Man: Homecoming is a legit and complete standalone movie and doesn't feel like a set-up to other up-coming Marvel movies.

Note: Stay right to the end of the credits roll for one of the best post credit scenes in recent times.

RATING: 7.5/10

THE JUNGLE BOOK (2016)

Genre: Adventure
Running Length: 1:45
Cast (voices): Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong'o, Scarlett Johansson, Giancarlo Esposito, Christopher Walken, Neel Sethi
Director: Jon Favreau
Screenplay: Justin Marks based on The Jungle Book by Rudyard Kipling

THE JUNGLE BOOK will forever change the way how CGI is integrated into a real world setting. Actually, this isn't even practical effects but full on graphics created on computers using motion capture techniques, layered into CGI trees, river and mountains. It is mind boggling to think that this film was shot in Los Angeles as it looks like a surreal India landscape.

The Jungle Book is one of the most beautiful movies to watch as it's visually stunning. Despite the obvious that these are talking animals, I was never distracted and totally convinced they could do so. The attention to detail on every animal is so vivid and lively - they look natural. Kudos to the hundreds of animators and artists involved in this project.

From a narrative perspective, it's definitely inspired by the 1967 animation and not Rudyard Kipling’s source material. There are even homages paid to the former, as fans will get to hear three famous snippets sung (and spoken); one of it being the famous "Bare Necessities". That said, it's not quite child-friendly as some of the images and themes are unsettling and pretty dark.

Another highlight is newcomer Neel Sethi playing the “man cub” Mowgli. He is the only human in this movie. Sethi's performance is energetic and animated. He is simply a delight to watch. And to think that he filmed almost every scene by himself in front of a green screen makes him even more impressive. Of course, his scenes wouldn't have succeeded without Favreau's direction.

Overall this film is not heavy on thought-provoking materials but it's visually captivating and immersive. (Oh, the animation accompanying the closing credit is so fun to watch!)

Rating: 8.5/10

CHEF (2014)

Genre: Family/Comedy
Running Length: 1:55
Cast: Jon Favreau, Sofía Vergara, John Leguizamo, Scarlett Johansson, Oliver Platt, Bobby Cannavale, Dustin Hoffman, Amy Sedaris, Robert Downey, Jr
Director: Jon Favreau

Although it's not, CHEF felt like an autobiographical movie of Jon Favreau; the writer, actor and director of this wonderful film. The story of a celebrity chef rediscovering his love for life, family and food do share some resemblance of Favreau's career; rediscovering  his indie roots after his recent big budget dud Cowboys & Aliens. CHEF is a small, intimate and light hearted movie that will guarantee to get you craving for Cuban sandwiches the second you walk out of the cinema. The wide range of music used, the road trip, the soul and culture of each locations and the food (the FOOD, OMG!) are infused so flavourful together to support the heart of the narrative - a father and son story. Emjay Anthony who plays the boy character has a very authentic and endearing chemistry with Favreau, especially the quieter moments between the two. A special shout out to John Leguizamo who plays the role of a loyal friend to Favreau's character, as he injects so much joy and energy into the film. The scenes with him, Favreau and Anthony on the road are so much fun to watch.  And thankfully the big cast of recognizable cameos was not a distraction ie. spot the cameo moments. In the end, the resolution was pretty simplistic but the spirit of passion still shines. Oprah Winfrey's quote expresses this appropriately, "Passion is energy. Feel the power that comes from focusing on what excites you."

Rating: 8/10