1917

Release Date: Malaysia, 16 Jan 2020

Genre: War

Running Length: 1:50

Cast: George MacKay, Dean-Charles Chapman

Director: Sam Mendes

Screenplay: Sam Mendes & Krysty Wilson-Cairns

The story is simple. The date is April 6, 1917, World War I. 

A British battalion is about to walk into a trap set by the Germans that will result to a potential 1,600 casualties. As the phone lines are cut, two young British soldiers; Blake (Chapman) and Schofield (MacKay), are tasked to cross through No-Man's Land and enemy territory by foot to deliver this message to this battalion in order to prevent these soldiers from their imminent death. As the caption of the poster says: Time is the enemy. 

The style with which Mendes and award winning cinematographer Roger Deakins have chosen to film 1917 is to employ a seemingly unbroken single-take from the start of the movie right to the very end. Whether it's a valiant or vain approach, I'll leave it to your opinion.  

With this approach, it pulls the viewers into the thick of the action when our two young soldiers travel from point A to point B. Viewers will feel as though they "are there" in real time, which lends a real sense of tension and dread. 

Speaking of action, there isn't many battle scenes but what this film does really well is capturing the aftermath of trench warfare. We see the remains of human bodies (many of them in pieces and are bloated) and animals lying in the mud, and are eaten by rats.

From a technical perspective, the score is crucial in certain scenes to heighten the danger, but thankfully, it doesn't dominate. A standing ovation for the set designers as the set pieces are so meticulously period-accurate.

In conclusion, this movie feels almost like Dunkirk. Just like the Christopher Nolan's movie, it's technically superior. But what 1917 lacked is the emotional payout that Dunkirk delivered in the final scene. I can't help but to view this film as a theme park ride through a trench warfare, because it does feel that way. 

RATING: 8/10

SPECTRE (2015)

Genre: Action / Thriller
Running Length: 2:28
Cast: Daniel Craig, Christoph Waltz, Lea Seydoux, Ralph Fiennes, Monica Bellucci, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott
Director: Sam Mendes
Screenplay: John Logan and Neal Purvis & Robert Wade and Jez Butterworth

SPECTRE is one technically accomplished and sleek Bond film. However, the screenplay pales in comparison to Skyfall, its immediate predecessor (also directed by Sam Mendes). The screenwriters tried to tie-in all the previous Daniel Craig's Bond into this film and as a result, it felt forced and patchy. Also, it gave me the vibe that Sam Mendes and team were not terribly motivated to make this film. To be fair, perhaps my expectations of Spectre was so high because Skyfall was just too good.

It starts off big with an engaging tracking shot of Bond working his way through a Day of the Dead parade in Mexico City. But it goes downhill and bloated thereafter where Bond's agenda this round is to follow the cookie crumbs left behind by his former boss. It kinda picked up towards the end when the big baddie revealed his masterplan but unfortunately, it just didn't redeem the entire movie. And the last 20 minutes which involved M vs. C was unnecessary. (Side note: "C" played by Andrew Scott is extremely distracting here. Those who watched BBC's Sherlock will get what I mean).

To me, Daniel Craig's Bond has always been more gritty and real for eg. he uses more hand-to-hand and fist fights. In summary, he "bleeds". But this round, the filmmakers seem to go back to the classic Bond where he seems invincible, overly suave and can fly a plane (and two helicopters) without breaking a sweat. Yes, even the corny, "'So James, what should we do now?' whispers the girl seductively" is present in this movie. The dude sitting next to me in the cinema hall couldn't helped but chuckled when the obvious happened thereafter.

As the main villain, Christoph Waltz is criminally underused. He is menacing in a somewhat cool demeanour. But compared to Javier Bardem's Silva, Waltz's baddie seems tame. Thankfully, the action set pieces are very well executed and the cinematography is breathtaking. And the score is exhilarating (however, that can't be said of Sam Smith's theme song; it was only marginally improved when coupled with the credit sequence visual feast).

Although Spectre is flawed, it's still an above average 007-outing.

Rating: 6.5/10