Showing posts with label korean. Show all posts
Showing posts with label korean. Show all posts

Monday, September 2, 2019

PARASITE


Release Date: Malaysia, 15 Aug 2019
Genre: Thriller / Drama
Running Length: 2:12
Cast: Song Kang-ho, Lee Sun-Kyun, Jo Yeo-jeong, Choi Woo-Shik, Park So-Dam, Lee Jeong-eun
Director: Bong Joon-Ho
Screenplay: Jin Won-Han, Bong Joon-Ho

PARASITE, the latest from Bong Joon-Ho (The Host, Snowpiercer, Okja) tells the tale of a lower-class unemployed family of four. Luck (or some may argue bad luck) came upon them when they chanced upon a glamorous higher-class family of four and in no time, their lives get entangled in the most unexpected way. 


Bong Joon-Ho has crafted a rare and bizarre movie but yet it's very accessible and believable to audiences worldwide. Parasite is a multi-genre movie where it has elements of dark comedy, drama and thriller. And somehow it works. 


The performances are on point. What I do like are the restrained set pieces and how the cinematographer is able to bring out the best with the limitations. The spaces where the poor lives feels really claustrophobic and "smelly" while the rich; spacious and clean. 

Just like Okja, if there is one thing which I felt was a tad too heavy-handed is its social commentary. Also, the length of the movie especially the middle portion could have benefited if it was trimmed down a little. 

RATING: 8/10 

Monday, October 17, 2016

THE WAILING (2016)


Genre: Thriller / Horror
Running Length: 2:36
Cast: Kwak Do-won, Hwang Jung-min, Jun Kunimura, Kim Hwan-hee, Chun Woo-hee
Director: Na Hong-jin
Screenplay: Na Hong-jin

"They were startled and frightened, thinking they saw a ghost. He said to them, “Why are you troubled, and why do doubts rise in your minds? Look at my hands and my feet. It is I myself! Touch me and see; a ghost does not have flesh and bones, as you see I have." Luke 24:37-39

THE WAILING starts off with that passage taken from the Bible. To provide some context to those verses, those words were spoken by Jesus in His resurrected form (after the crucifixion) to His disciples. That passage essentially anchors the entire theme of the movie.

In no way this movie is preachy, but it is an allegory of sorts peppered with Christian motif and the supernatural. In fact, the narrative is so organic and dynamic, it's really up to the audience to interpret what they want to believe. This slow-burn and strange story will keep you wondering long after you've left the cinema (at least that's what it did to me. I'm still pondering as I'm writing this review).

To me, the dominant idea of The Wailing is faith and doubt of men.

Eventhough it has a good amount of horror elements (exorcism, occult rituals etc), this is not your standard horror picture. It's more of a psychological thriller horror film - arranged in that order. It messes your mind with an unpredictable plot that will keep you guessing. There are no jump scares but yet, you will still be scared.

The story is set in the present day in a small Korean rural village. A slow-witted police sergeant (Kwak's character) is investigating a gruesome homicide where a man, seemingly being possessed by an evil spirit, stabbed his family to death. Soon, there are similar grisly murders that followed suit. From the rumours he has been hearing, our protagonist believes an elderly Japanese man (who has just moved into the village) is behind all these.

I won't spoil the rest of the movie for you because to be honest, the above is just the beginning of a series of events that gets more bizarre as the story unfolds. For example, the first 1/3 of the movie is actually pretty comedic but the filmmakers did this on purpose to reel you in for an unforgettable ride.


The acting is first class because it relies alot on the reactions of its actors. A special shout out to the child actor who played the protagonist's young daughter. There is an intense exorcism scene (with drums and all) involving the daughter and a Korean shaman that will keep you at the edge of your seat.

From a technical perspective, the cinematography is much more impressive than The Revenant. The reason for the comparison is because both the directors chose to shoot the film with natural lighting to give it a more organic and atmospheric feel. But yet, this movie is much more immersive.

In summary, The Wailing is a rare and unique movie experience with a satisfyingly ambiguous ending. I think not everyone will like this film but it did it for me - it still haunts me now. In a similar fashion, I would like to end this review with a Bible verse: "For whatever does not proceed from faith is sin." Romans 14:23

Rating: 10/10

Friday, September 16, 2016

TRAIN TO BUSAN (2016)


Genre: Drama / Thriller
Running Length: 1:57
Cast: Gong Yoo, Kim Soo-an, Jeong Yu-mi, Ma Dong-seok, Choi Woo-shik, Ahn So-hee, Kim Eui-sung
Director: Yeon Sang-ho
Screenplay: Park Joo-suk

Right at the start of TRAIN TO BUSAN, the set up is clear where this "train" is going to take its audience. The movie's concept is a fascinating one; using a travelling bullet train (full of flesh eating zombies) as a canvas for social commentary and polarization.

After a near flawless first half, the second half felt repetitive and manipulative. Nevertheless, this is one entertaining flick especially the zombie attack scenes. The zombies we have here are not the slow moving "Braaaaainssss" genre but the 28 Days Later/World War Z variety - they are fast, focused and violent flesh eaters. And once a victim is bitten, it takes just a few minutes for them to turn. This is no Maggie. 

There are many unbearable nail-biting suspenseful sequences. So much so, an audience sitting next to me was shouting, "Cepat CEPAT TUTUP PINTU LA!" during those claustrophobic high tension moments. Thus, this movie is not really one of those horror movies which rely heavily on jump scares.


So why the 2nd half felt tiring? Well, there were just one too many escape-from-the-zombies-attack scenes. And the filmmakers were very heavy handed with their characters. I was hoping some of them would not end up as stereotypes, but instead, the filmmakers turned up the stereotyping to 11. If you never thought you could hate a character so much, wait till you see this movie. And there many instances of unnecessary emotional manipulation just to squeeze tears out from its moviegoers. No subtlety whatsoever.  

In terms of performances, two really stood out; Kim Soo-ann as the little girl and the super charismatic Ma Dong-seok. In summary, this film champions kindness during the worst and best of humanity.

Review: 7.5/10